Deponie typography is based on a neo-liberal
Description
is based on a neo-liberal worldview focused more or less entirely on the pursuit of individual success
where her life becomes tragically enmeshed with the super-wealthy offspring of the Korean elite
Iceland and Sri Lanka
Welche Rolle spielen dabei steigende Wohnungskosten bei geringeren Wohnflächen
Objects Recognized in Flashes” focuses on the seductive surfaces of photographs
Deponie typography is based on a neo-liberalPhotographer Tobias Kruse was ten years old when the Wall fell. For his work Deponie, he traveled to a present day East Germany that still recalls the nineties. more This here is fiction. Not reportage, says Tobias Kruse. And yet his photographs show a real present that reaches back into a concrete, not so distant past.
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