Baron by Richard Kern graphic design Household goods from “Pollopas” in

Household goods from “Pollopas” in particular were luxury objects for a young elite with an affinity for technology and at the same time harbingers of a new consumer society as it developed in the 1950s

Emil Ruder

the magazine finds itself entangled in a story-heavy microcosm

the history of 20th-century modern spatial practices

writer and publisher of the Eakins Press

Baron by Richard Kern graphic design Household goods from “Pollopas” inFor the seventh instalment of Baron photographer Richard Kern explores the dichotomy between girl and woman, between the nude and the dressed, and between playfulness and seriousness. Kern does not ask his subjects to pose for him, nor does he direct them. He doesnt even contact or cast them. Rather, more the subjects contact him, and pose for him in any way they are comfortable. They sometimes choose to be portrayed in the nude and they have full