Concrete, mon amour Modernism or uncertainty—it’s gone because we

or uncertainty—it’s gone because we gave up imagining it

thus formulating highly complex perspectives on the photographic medium and the world that has already been photographed

Terumi Saito

How is collectivity and society being generated spatially and in terms of policy

Ida Börjel

Concrete, mon amour Modernism or uncertainty—it’s gone because weOnce hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid to late 20th century, which have become a defining subject of Stefano Peregos photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten