The Village on the End of the World - Herta Müller art history have children

have children

Kyle MacLaughlan

sometimes complex

and tools for designing views of potential worlds and forms of archival activism

spending some time in the community which lives 365 days a year on Milan-San Remo’s Poggio

The Village on the End of the World - Herta Müller art history have childrenFrom her childhood in Romania, in a village as small as a thimble on the edge of the world, through to life in exile in Germany, Herta Mllers story unspools against the tumultuous history of Romania in the latter half of the twentieth century. Here, the Nobel Prize laureate reflects on cultural history, memory and trauma, and on what it was to live and write during Ceausescus regime: on the friendships that buckled under the weight of fear and